Book Review: The Ninth Metal by Benjamin Percy

The Ninth Metal (The Comet Cycle, #1)

The Ninth Metal by Benjamin Percy

My rating: 5 of 5 stars


Benjamin Percy’s The Ninth Metal is something that every reader secretly and desperately craves: fast-paced. Percy’s mastery of plot is on display in this intricately cast sci-fi thrill ride. The high concept is overlaid by a rocketfuel stortyline that is, among other things, an unabashed homage to comicbook superheroes and supervillains. You’ll find plenty of both in the fictionalized Northern Minnesota of The Ninth Metal. (A region which, by the way, Percy culturally nails down to every detail.)



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Book Review: Fauna by Christiane Vadnais (Translated by Pablo Strauss)

Fauna

Fauna by Christiane Vadnais

My rating: 4 of 5 stars


Eerie, slippery, lush, and dark, the distinct stories in this collection are jointed together by their setting and recurring characters. Vadnais’ writing (by way of Strauss’ translation) does dreamlike horror very well, while imagining how the near-future world, rather than being humanity’s victim, may very well reckon with us. Fascinating stuff.



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Book Review: The Vanished Birds by Simon Jimenez

The Vanished Birds

The Vanished Birds by Simon Jimenez

My rating: 5 of 5 stars


The Vanished Birds is nothing short of stunning. Simon Jimenez manages to cover a thousand years of history on a galactic scope and somehow still tell a story as intimate as a lullaby. The planets, cultures, and personalities are richly envisioned. Everything feels immediate. Jimenez’s prose is perceptive, agile magic. The unique longing and wonder of this novel is hard to articulate beyond this: I will never forget it.



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Book Review: Sorrowland by Rivers Solomon

Sorrowland

Sorrowland by Rivers Solomon

My rating: 4 of 5 stars


Sorrowland is difficult to classify, and (as I’ve probably mentioned before) that is something I always enjoy. This book is horror, it’s a motherhood story, it’s a political allegory, it’s erotic, it’s fantastical… it’s wild, just like its protagonist Vern. And I think that’s part of Solomon’s point with this story, that there’s no such thing as too much, that we limit the power of others and the possibility of the world when we say “no, that’s too different; no, that’s not allowed; no, that’s not normal; no, that’s too far.” These are the questions of this novel: Why can’t we do away with limits? Why can’t we reinvent reality? I deeply respect Solomon’s boldness with this nightmarish, fabulist piece of social criticism.



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