Category: Literary Fiction

Universal Harvester by John Darnielle

My rating: 5 of 5 stars


I came to read Universal Harvester for the weirdness and 90’s nostalgia, almost left because I got so deeply creeped out, but ultimately stayed for John Darnielle’s gut-punch writing and intimate portraiture of midwestern people in all their banality and strangeness. This novel is tough to classify. It reads sort of like horror, but it’s really not–as disturbing as it still is. This is more of a slow burn, a literary haunting, and I appreciate Darnielle’s subtle hand navigating it all. A fantastic novel.

P.s. Had no idea that John is the frontman for The Mountain Goats until I glanced at the bio at the end! Wow John, leave some talent for the rest of us! 🙂



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Shell Shaker by LeAnne Howe

My rating: 5 of 5 stars


This novel makes an indelible impression, and it is so, so good. This book was recommended to me over a decade ago and has been sleeping since then on my bookshelf, waiting for the right moment. When the moment came, I tore through it in two days, totally transfixed at Howe’s storytelling–powerful, intimate, surprising. The way Howe approaches the ideas of legacy, birthright, redemption, and healing over the centuries simply blew me away.



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Summerwater by Sarah Moss

My rating: 4 of 5 stars


Sarah Moss is a master of close third person perspective. In this novella that rotates between different strangers’ perspectives while on a dismal, rainy holiday in Scotland, we become so tightly entwined in the idle thoughts of our characters that it’s almost disorienting, nearly uncomfortable. I admire the way Moss understands and explores human flaws. In way of plot, there’s little, but that’s not the point. The point is: What if you could see and understand how everyone was thinking, all at once? It’s a power I’m sure I don’t want to have, but I’m confident that Moss has it.



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The Glass Menagerie by Tennessee Williams

My rating: 5 of 5 stars


I’ve read Tennessee Williams’ breakout masterpiece many times, and even taught it to high school students for a couple years. But it’s been a while, and I wanted to see if it was still good. If possible, I think it’s even gotten better. The fragility of hope, the way regret will always find us, the illusions we believe… it’s all here. A pillar of American Theater.



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Wuthering Heights by Emily Brontë

My rating: 4 of 5 stars


I decided to read Wuthering Heights for the first time, with the determination to see it through no matter what. It is a punishing read, and really a horrible experience emotionally. But my goal in reading it was to understand why it’s a classic, and that did come to me by the end. It’s a book about evil, and a family bound together by cruel intimacies and domestic violence infecting multiple generations of the Earnshaw/Linton houses. The haunting that occurs is the echoing legacy of that harm. Love, in this novel’s context, is an obsessive, all-encompassing passion that easily trips over to rage–for these characters, they are one and the same. Tenderness and hurt occur in the same spaces, haunting the Heights with trauma.



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