In Reservation Blues, Sherman Alexie blends blues lyrics, a Faustian deal with the devil, anachronistic historical figures, and a group of Native American musician characters with a need for life-changing music. This book is a masterful example of magical realism: the plot is at turns impossibly insane and off-puttingly real. It’s safe to say that readers who “don’t do” magical realism won’t enjoy or understand its beauty. Those who are up for the challenge will be vastly rewarded by its mysticism, straight talk, sorrow, and groove. In case you needed more proof that Sherman Alexie was born to set things on fire with his words, in case you forgot that the world is exactly as bizarre as you thought it was, in case you thought that justice could be manufactured cheaply or that real music could be born for free, please read Reservation Blues.